ablerism
ablerism

Culminating text with oral exams planned in my criticism class for architecture graduate students. We got liftoff as a group this term — a true seminar community. I’ll miss them.

A box full of copies of Christopher Alexander's A Pattern Language.

|
Embed
Progress spinner
markstoneman@zirk.us
markstoneman@zirk.us

@ablerism Nice.

|
Embed
Progress spinner
bethanyh
bethanyh

@ablerism I just started reading this last night… not sure how well I’ll get on with it as someone with zero prior knowledge of the field, but it seems very interesting so far!

|
Embed
Progress spinner
JohnBrady
JohnBrady

@ablerism What a book!

|
Embed
Progress spinner
ablerism
ablerism

@bethanyh It’s most celebrated and enjoyed by non-architects! And hardly taught at all in contemporary architecture schools, which is a mystery I’m trying to suss out. I’ll be curious how you find it. As you see, it’s really a perusal/reference text more than a chronology.

|
Embed
Progress spinner
ablerism
ablerism

@JohnBrady Yes! So excited to talk with students about it.

|
Embed
Progress spinner
In reply to
ReaderJohn
ReaderJohn

@ablerism I’ve never read it, but I’ve known of it and I’m shocked that it’s hardly taught in architecture schools now.

|
Embed
Progress spinner
ablerism
ablerism

@ReaderJohn I have this working theory that it’s not taught because it implies universals, you know? Not a style guide or set of blueprints, but patterns as an affirmation of recognizable Good Design (and therefore Bad Design).

|
Embed
Progress spinner
JohnBrady
JohnBrady

@ablerism @ReaderJohn Agree. Its built on the insight that beauty is objective, which goes counter to modernism & postmodernism.

|
Embed
Progress spinner
ablerism
ablerism

@JohnBrady @readerjohn I actually think the ingenious identification of patterns helps the book avoid going all the way to objective beauty in the stylistic sense. Broader, more capacious than that, allowing for global variation.

|
Embed
Progress spinner
JohnBrady
JohnBrady

@ablerism Not sure what “in the stylistic sense” means, but I think we’re probably trying to say the same thing.

|
Embed
Progress spinner
ablerism
ablerism

@JohnBrady Just that objectivity doesn’t mean specific styles of columns, for example. Or columns at all. The pattern is more directional than directive. (Trying to write about this, so the specifics matter to me, but yes, we’re likely on same page!)

|
Embed
Progress spinner
bethanyh
bethanyh

@ablerism That’s encouraging! I will press on. I find it very interesting, though my main emotion so far is disappointment at not living in a place with actual city country fingers.

|
Embed
Progress spinner
JohnBrady
JohnBrady

@bethanyh In the intro Alexander advises us to skip ahead to the circle in which we might actually have an influence and be able to make choices in our own lives. For me, that’s pretty small! (A few years ago it might have been how to configure my yard; now it’s more like how to configure my apartment.) For architecture or urban planning students it might be pretty wide in the unlikely event that they took the book to heart.

|
Embed
Progress spinner
bethanyh
bethanyh

@JohnBrady I have to confess, book intros are the things I usually “skip ahead” past! I did skim this one, but missed that tidbit. At any rate, I am enjoying reading the various circles, whether or not I can influence them. But I’m sure I’ll read the most personally applicable parts the most closely.

|
Embed
Progress spinner