bsag
bsag

New post: Feeling the fear and sewing anyway, in which I talk about making a dress from fabric that is important to me for sentimental reasons, and about stretching myself and my sewing abilities.

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Ron
Ron

@bsag Wow, I know nothing about sewing, but that's a reallllly inspiring read. I hope I can be as brave and successful as you, when I reach the point of beginning to restore old radios! Keep up the good work. 📻

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sproutlight
sproutlight

@bsag Wow, thank you for sharing. Savibg things like that fabric is my default too, so it is inspiring to hear it get used.

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bsag
bsag

@sproutlight Thanks! It’s difficult to muster the confidence to start, but great when you do!

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bsag
bsag

@Ron Thank you! I’m sure you’ll have a fantastic time repairing radios.

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Bruce
Bruce

@bsag

After all, she gave it to me because it was languishing in her stash!

This line rang so true for me. I have such a hard time starting physical art projects—my perfectionism is a powerful foe.

And what a gorgeous dress! It was great to read the details about its construction too. 😀

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Bruce
Bruce

@bsag Also, drafting (lighting plots) on paper is definitely fun and a pencil makes me think differently than my trackball. But after the experience of typing in different dimensions and the drawing just changing, I could never go back to a full paper process.

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bsag
bsag

@Bruce Thanks! I know that feeling very well. Nothing is ever perfect (this dress certainly isn’t!) but it was a fun process and I feel fantastic in the result, so it doesn’t matter. The way I think about it is that if you don’t try and fail a bit, you never learn and improve. You only learn with physical projects by doing.

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bsag
bsag

@Bruce I enjoy the process with paper too. I also don’t think I would know how to accomplish the drafts with the software if I hadn’t learned on paper. It’s a bit counterintuitive and you need to see how it works physically (at least, I needed that step). But the software will save me some sellotape!

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Bruce
Bruce

@bsag Yep on the try and fail. I don’t think I’ve ever had a show open and not still have cues to “fix”.

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Bruce
Bruce

@bsag I still do my roughs on paper—it’s so much easier to worksheet with trace on top of the entire plot than to just see a portion of it on the screen.

Though the day Wacom releases a 36”x48” table, I’ll start using tracing paper on top of that! 🙃

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In reply to
bsag
bsag

@Bruce That table would be something to see! Do you draft on a 2d plan of the stage and then plan how the lighting will fill the 3D space?

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Bruce
Bruce

@bsag Yep, I draft in 2D. Worksheets help me visualize how the light will function in 3D space. First step is a section showing the beams, then I take the measurements from that and draft on top of the plan where beams will be at 6’-0” off the deck (actor height). And it's much easier to do that visualization when looking at the whole space on a drafting table rather than paning and zooming around in Vectorworks.

These aren't from the same show, but should give you an idea. Lots and lots and lots of tracing paper is involved. 🙃

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bsag
bsag

@Bruce That looks amazing!

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