{"version":"https://jsonfeed.org/version/1","title":"Micro.blog - トート","home_page_url":"https://micro.blog","feed_url":"https://micro.blog/posts/to_to","_microblog":{"about":"https://micro.blog/about/api","id":"1852664","username":"to_to","bio":"

The Complete Chunghwan Toto 始自令和三年淺春的南國，版式幾經修裁，終爲如今模樣。名字借用九四年再版的《原子貝西完璧盤》；用阿啄仔音講的 chunghwa 則發想於町中華，是日常小寫街坊味。網誌多在實驗シノフォン・脫陸式華文，不過希望未來有戀殖、異風倪與不去自我嫌惡的自由。

\n

事多盯 @toto@chunghwa.asia（ActivityPub）與西雅圖青空。這裏有看過的膠片與跑畫兒——傑布森說「御宅族是數位時代藏家」，另一邊廂 my little airport 說「宅女，上街吧！」。討論直書排印或 dynamiclands 請移玉至電報。

","pronouns":"","is_following":false,"is_you":false,"following_count":0,"discover_count":0},"author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://avatars.micro.blog/avatars/2025/49/1852664.jpg"},"items":[{"id":"86980705","content_html":"

葯・葯・葯: chunghwa.asia

","summary":"","url":"https://chunghwa.asia/2026/03/26/meds/","date_published":"2026-03-26T05:01:20+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2026-03-26 05:01","date_timestamp":1774501280,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":true,"is_mention":false,"note":"","syndication":[]}},{"id":"84567539","content_html":"Dynamicland 和 Folk Computer 的實作中，二維圖徽佔據視野，用以標識物件。想象另種做法。菸絲比理順（inspiration）自去年愛知三年展 Robert Zhao Renhui 的影像 The Owl, The Travellers。熱像儀捕捉漆黑中談話的旅伴。林間動物出沒。尿液濺灑樹皮上。手掌撫摸後，餘溫痕跡逐漸散去。活物隨時與外界交換熱，熱的表徵吸入紺與橙的假色染坊。\n\n假設：刻印數條溝壑、郵票大小的透明貼紙，或是用特殊印刷工藝，嵌在紙張裏頭，熱傳導不均勻的塑形材質。捂熱後經由儀器，顯示溫度分佈，再依電腦視覺識別圖案，錨定附着物位置。\n\n \n \n \n \n \n ... chunghwa.asia","summary":"","url":"https://chunghwa.asia/2026/02/19/chaleur-regard-hante/","date_published":"2026-02-19T06:38:56+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2026-02-19 06:38","date_timestamp":1771483136,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":false,"is_mention":false,"note":"","syndication":[]}},{"id":"84356952","content_html":"自己作爲政治知識甚少的新人，有太多要學。從這邊望去的光景：八號選舉，自民黨和維新會執政聯盟，獲三百五十二座議席，得衆議院絕對多數（約七六％）；許諾縮緊移民政策、擴增國防預算、將自衛隊寫進第九條憲法等綱領，暈染起民粹底色。高市早苗以出無門第、首位女性首相之姿，或鼓舞羣倫，但拗於保守，不必然有推進平權的決心或助力。衆望非歸於黨。個人感召力讓身覺滯塞的國民，滋生聊令其一試之投機心理，以及近乎支援偶像的義務。\n\n新黨チームみらい這次亦獲十一席（集中在關東比例代表選票）。借數位技術擴張民主實踐，顯明財務流向、開源匯流政黨理念、訓練大型語言機構回應民衆疑問與闡釋政見，聽起來是技術識者親近的路線。岡田麻沙〈チームみらい在... chunghwa.asia","summary":"","url":"https://chunghwa.asia/2026/02/16/shugiin-spring-reiwa-8/","date_published":"2026-02-16T06:43:59+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2026-02-16 06:43","date_timestamp":1771224239,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":false,"is_mention":false,"note":"","syndication":[]}},{"id":"83558496","content_html":"

液體玻璃批評: chunghwa.asia

","summary":"","url":"https://chunghwa.asia/2026/02/04/to-criticise-liquid-glass/","date_published":"2026-02-04T12:59:53+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2026-02-04 12:59","date_timestamp":1770209993,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":true,"is_mention":false,"note":"","syndication":[]}},{"id":"82962506","content_html":"

伊藤詩織: chunghwa.asia

","summary":"","url":"https://chunghwa.asia/2026/01/27/ito-shiori/","date_published":"2026-01-27T08:55:26+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2026-01-27 08:55","date_timestamp":1769504126,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":true,"is_mention":false,"note":"","syndication":[]}},{"id":"82674629","content_html":"

自我翻譯: chunghwa.asia

","summary":"","url":"https://chunghwa.asia/2026/01/22/self-translation/","date_published":"2026-01-22T06:22:35+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2026-01-22 06:22","date_timestamp":1769062955,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":true,"is_mention":false,"note":"","syndication":[]}},{"id":"82674631","content_html":"網誌字體換作昭源環方 + Chubbo。調試假名時發現穀歌字庫的版本中 script kana 缺少引用 GSUB 和 GPOS 表。無論語言地區設置爲何，Chromium 系會將連續假名串判讀爲 script kana，如果缺乏替換／移位規則的話就無法在直書下旋轉長音符（vrt2）和調整假名尺寸（vpal）。只好用 ttx 手動添加。\n\n若要植入標點擠壓的 chws/vchw 用 googlefonts/chws_tool 的 add-chws 命令。\n\n用 fonttools 分離假名，得到 kana 檔：\npyftsubset _FONT_ \\\n --unicodes='3005,3041-30ff... chunghwa.asia","summary":"","url":"https://chunghwa.asia/2026/01/13/pcs-proportional-size/","date_published":"2026-01-13T11:42:01+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2026-01-13 11:42","date_timestamp":1768304521,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":false,"is_mention":false,"note":"","syndication":[]}},{"id":"82674633","content_html":"這集「藝文在線等」提及由西至華的音義兼譯：\n\n煙士披里純 jin1 si6 pei1 lei5 seon4 = inspiration（廣東話）。梁啓超〈煙士披里純〉；\n傷他悶透 = sentimental／sentimentale（上海話） 。一說出自洛夫；\n費厄潑瀨 = fair play（江浙話）。魯迅〈論「費厄潑賴」應該緩行〉；\n但丁 = Dante（客家話？）；\n喬叟 jiau-seu = Chaucer（上海話）；\n先施 sin1 si1 = Sincere（廣東話）；\n露華濃 lou6 waa4 nung4 = Revlon（廣東話）；\n老笠 lou5 lap1 = robbery，笠 = r... chunghwa.asia","summary":"","url":"https://chunghwa.asia/2026/01/09/phono-sematic-matching/","date_published":"2026-01-08T15:09:24+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2026-01-08 15:09","date_timestamp":1767884964,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":false,"is_mention":false,"note":"","syndication":[]}},{"id":"82674634","content_html":"

蒸汽掌機: chunghwa.asia

","summary":"","url":"https://chunghwa.asia/2026/01/02/steam-deck/","date_published":"2026-01-02T13:17:25+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2026-01-02 13:17","date_timestamp":1767359845,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":true,"is_mention":false,"note":"","syndication":[]}},{"id":"82674635","content_html":"

缺氧: chunghwa.asia

","summary":"","url":"https://chunghwa.asia/2025/12/18/hypoxia/","date_published":"2025-12-18T02:35:23+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2025-12-18 02:35","date_timestamp":1766025323,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":true,"is_mention":false,"note":"","syndication":[]}},{"id":"82674636","content_html":"以「思源黑體・香港」爲例，web 上從一對 U+2014 全形連接號（emdash）開始，到直書破折號的替換流：\n\nccmp（字形合成）: emdash emdash → emdash_emdash（U+2014 合併字形）；\nlocl（地域設定，lang=\"zh-HK\" 時）：emdash_emdash → horizontalbar_horizontalbar（U+2015 合併字形）；\nvert（直書，writing-mode: vertical-* 開啓時）：horizontalbar_horizontalbar → 最終顯示的破折號字形。\n\n第三點沒有定義從 emdash_emdash 替換的規則... chunghwa.asia","summary":"","url":"https://chunghwa.asia/2025/12/15/web-u-emdash-ccmp-emdash/","date_published":"2025-12-15T10:31:04+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2025-12-15 10:31","date_timestamp":1765794664,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":false,"is_mention":false,"note":"","syndication":[]}},{"id":"82674637","content_html":"

講座裏提到在日本無法誕生作業系統，因爲作業系統是定基數字規則的單一神。但實際上牠是個利用硬體資源製造幻象的大奇術家——透過分頁表虛構無限記憶體、行程（process）置身獨立的演算結構、連綿的位元流劃分爲文檔。汎靈論的光學投影媒介與之相對：

\n\n","summary":"","url":"https://chunghwa.asia/2025/12/08/1354/","date_published":"2025-12-08T04:54:00+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2025-12-08 04:54","date_timestamp":1765169640,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":false,"is_mention":false,"note":"","syndication":[]}},{"id":"82674638","content_html":"

關於風土，多和田葉子在《異風倪》（『エクソフォニー 母語の外へ出る旅』，〇三〔エクソフォニー = exophony〕）提到戰時從德國逃難到加州的人沒辦法忍受長年陽光。

\n

而在《地球滿綴》（『地球にちりばめられて』，一八）裏：

\n
\n

〔⋯〕相比之下梵谷真可憐。他也去了南法，但結果很不好。太過明媚的光還把他潛藏許久的病給引了出來。

\n

因為光而生病？

\n

如果是昏暗的空間，還能隱隱約約地和附近的人在昏暗裡連結，共享貧窮還有每天的辛勞。可是如果被太過明媚的光照亮，就會看清我是我、你是你，彼此是孤立的。

\n
\n","summary":"","url":"https://chunghwa.asia/2025/12/07/2318/","date_published":"2025-12-07T14:18:00+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2025-12-07 14:18","date_timestamp":1765117080,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":false,"is_mention":false,"note":"","syndication":[]}},{"id":"82674639","content_html":"

『藝術と技術の対話 第１回「藝術と技術の射程」』

\n

小林一茶：「夕立やかみつくような鬼瓦」（雷雨來時似在噬咬的鬼面瓦）

\n

這套『藝術と技術の対話』講座聽起來是要重拾風土（milieu）和汎靈思想，與西洋一神論唱對檯。ＬＬＭ集合普世經驗生產文化資源，予用家一種全知錯覺，是神格與絕對存在的偽裝。像是內華達數據廠裏，灼熱晶片吮吸從各地輸入的語言乾屍塊，借矩陣乘算來增殖位元時，卻把當地氣候風土攔斷在外。借用和辻哲郎的話，預防機械過熱而搧起涼風，無法將稻香（自然感受力）帶進文字中。依賴此種同質的文字，人類便會逐漸喪失故鄉。

\n","summary":"","url":"https://chunghwa.asia/2025/12/07/2305/","date_published":"2025-12-07T14:05:00+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2025-12-07 14:05","date_timestamp":1765116300,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":false,"is_mention":false,"note":"","syndication":[]}},{"id":"82674640","content_html":"梁文道節目裏提到 Svetlana Boym 的《懷舊未來》（The Future of Nostalgia）。最近京都驛換乘地下鐵時，地下賣店中庭有場古書市集，不知是否常設。除販售アール・ヌーヴォー解說冊、德文童書一類外，籃子裏還盛着些廿世紀諸國的黑白街景相片、各地名勝的圖咭套裝、蓋上郵局章的紀念郵票、燒肉店火柴盒。手繪字、雙色油墨時代遺存下來的印象碎塊ㄦ封藏於塑膠膜內。也有像唱片那樣傾斜地排列在紙盒裏頭，追憶舊時商品文化，露華濃香水、緊身褡和烈酒的單頁廣告，背後價籤看來只消百圓便可入手這份生造的懷舊。《懷舊未來》起頭講說，蘇聯後裔初次返回祖居觀光，沿普列戈利亞河堤嗅到蒲公英香，兒時從父母那邊聽來的記憶攀... chunghwa.asia","summary":"","url":"https://chunghwa.asia/2025/11/15/2153/","date_published":"2025-11-15T12:53:00+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2025-11-15 12:53","date_timestamp":1763211180,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":false,"is_mention":false,"note":"","syndication":[]}},{"id":"82674641","content_html":"

廿五年前的 Dynamicland: chunghwa.asia

","summary":"","url":"https://chunghwa.asia/2025/08/13/scavenging/","date_published":"2025-08-13T00:41:00+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2025-08-13 00:41","date_timestamp":1755045660,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":true,"is_mention":false,"note":"","syndication":[]}},{"id":"82674642","content_html":"

坊里演算: chunghwa.asia

","summary":"","url":"https://chunghwa.asia/2025/07/22/communal-computing/","date_published":"2025-07-22T00:41:00+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2025-07-22 00:41","date_timestamp":1753144860,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":true,"is_mention":false,"note":"","syndication":[]}},{"id":"82674643","content_html":"聽梁文道在駒場東大的座談，結束後轉到校舍背後的一二郎池，行道空疏遊蹤鮮少，側旁紫羅欄滿開。\n\n一二郎池是寫在『東京裏返し 都心・再開発編』（吉見俊哉，二四）中的例子。書裏視「擱置」爲「開發」的抵抗力，而溪流削離出窪地和坡道，周圍舊時大戶宅邸與寺廟演進爲如今明河暗渠旁的旅館、學苑之類，便是因施工困難與文化保育的緣故從再開發資本中餘生。因此（曾有）河川流經的澀谷這邊仍見藝伎茶屋、闇市的痕跡。\n\n穀歌地圖上都心地勢標記較其牠縣市更完備，很容易找到這些有高低差的地段（但起伏是路徑規劃的負參數，這個意義下穀歌是反散步的）。散步・街歩き像穿針一樣連繫各處（線的存在本身便是牽出向量引發行走），在被再開發佔領的地表鑿出洞口... chunghwa.asia","summary":"","url":"https://chunghwa.asia/2025/04/07/1528/","date_published":"2025-04-07T06:28:00+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2025-04-07 06:28","date_timestamp":1744007280,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":false,"is_mention":false,"note":"","syndication":[]}},{"id":"82674644","content_html":"一集一集過了遍向田邦子的《宛如阿修羅》（文庫 → 七九年的ＮＨＫ土曜ドラマ → 是枝裕和在網飛的新作），對照來像聽了回腳本的一〇一課。電話鈴製造急促的劇情轉舦，向田邦子應手借對話交代角色下一步行動，型塑人物典型。如今叮鈴聲漸杳，是枝裕和翦走些可簡省的段落，往往先以一鏡頭交代事態變化的起始，便直截跳至角色會合後的談話與互動正中。\n\n向田邦子算是很早便以角色之口，討論女性在家內的情緒勞碌，及其計價方式（後來由 Arlie Hochschild 推而廣之）。\n\n舊版八千草薫演的次女巻子，在不遠處注視家母立於情婦住所前惶恐的側顏。這一結構在後段復現：巻子疑丈夫婚外情事，失神望向旅館，背後是女兒不安的竊探。女性對不倫... chunghwa.asia","summary":"","url":"https://chunghwa.asia/2025/01/19/2048/","date_published":"2025-01-19T11:48:00+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2025-01-19 11:48","date_timestamp":1737287280,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":false,"is_mention":false,"note":"","syndication":[]}},{"id":"82674647","content_html":"

鴉擠進腦袋。昨夜在荻窪 Karas 看宮田佳、佐東利穗子和勅使川原三郎的「幻想」。候室一隅玻璃與鏡子的碎片，其中一塊勾着烏鴉玩具。一幕勅使川遮斷側光，投影出人形在與天頂交接處彎折拉長，像從人身上鑽出尖喙。眼睛在無光場景裏總是壞到朦朧，眼裏不規律的雜訊迴旋灰斑。因爲多重視的緣故，陷入闇幕的舞者臉龐輪廓燒出淡藍鬼火。看到了靜置的幽靈。

\n","summary":"","url":"https://chunghwa.asia/2024/11/03/1825/","date_published":"2024-11-03T09:25:00+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2024-11-03 09:25","date_timestamp":1730625900,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":false,"is_mention":false,"note":"","syndication":[]}},{"id":"82674650","content_html":"

東京・二四：Mark Gill, Ravens: chunghwa.asia

","summary":"","url":"https://chunghwa.asia/2024/11/02/tiff-2024-mark-gill-ravens/","date_published":"2024-11-02T14:50:00+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2024-11-02 14:50","date_timestamp":1730559000,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":true,"is_mention":false,"note":"","syndication":[]}},{"id":"82674651","content_html":"

川上さわ『地獄のSE』: chunghwa.asia

","summary":"","url":"https://chunghwa.asia/2024/11/01/hell-of-se/","date_published":"2024-11-01T13:18:00+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2024-11-01 13:18","date_timestamp":1730467080,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":true,"is_mention":false,"note":"","syndication":[]}},{"id":"82674652","content_html":"

去出版クラブビル看了最後一天的第五十七回造本装幀コンクール獲獎作品展。童書『Je suis là ここにいるよ』模仿潑濺的圓形透印，底面是貓々的簡筆畫，紙面四周染上淺藍淡紅的柔邊，好感動；『多摩美術大学グラフィックデザイン学科卒業制作展（二三）』和寫真集『心臓』，都有用像是撕開的厚質紙，撫上側邊會有毛絨絨的感覺——森林的樹葉邊、心臟切碎的踞紋。

\n","summary":"","url":"https://chunghwa.asia/2024/11/01/2117/","date_published":"2024-11-01T12:17:00+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2024-11-01 12:17","date_timestamp":1730463420,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":false,"is_mention":false,"note":"","syndication":[]}},{"id":"82674653","content_html":"看到 Bret Victor 書架上有 Jeremy Campbell 八〇年代講資訊理論的《Grammatical Man》，翻過前三章。利用統計數值——也就是時間行進下經驗重疊出的不可解結果，來速成文本的想法（p. 28）靈驗到成爲如今日常。嘆惋自己受到的基礎教育根植於牛頓力學的決定論，而輕夷統計（數字作假是其中些細原因）實在中毒太深。\n\n就像書裏提到（p. 51），二十世紀文化論者無論有冇意識都似在論述熱力學第二定律普遍存在。第三章快到尾引用偵探小說家桃樂妃・Ｌ・西耶絲的《Have His Carcase》（三二）：\n\n\"[…] by the second law of thermo-dynamics, […] we are hourly and momently progressing to a state of more and more randomness, we receive positive assurance that we are moving happily and securely in the right direction.\"\n\n另外像是流行文化不絕的獃板與未料的危懼（unremitting banality and inconceivable terror，宋塔 The Imagination of Disaster，六五）；廣島原爆製造空間的均質，消滅生命體和... chunghwa.asia","summary":"","url":"https://chunghwa.asia/2024/09/15/2353/","date_published":"2024-09-15T14:53:00+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2024-09-15 14:53","date_timestamp":1726411980,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":false,"is_mention":false,"note":"","syndication":[]}},{"id":"82674654","content_html":"

岸井ゆきの的純明笑顏和失落時恍兮惚兮的眼，好喜歡！『お別れホスピタル』中對自殺念想在頭腦打轉的寢癖感妹々，顰眉到發嗔，像從氣管裏開了枝櫻桃。岸井ゆきの自己也是不折不扣的影癡，就是從她那邊知曉 Rainer Werner Fassbinder『不安は魂を食いつくす』。

\n","summary":"","url":"https://chunghwa.asia/2024/02/09/1244/","date_published":"2024-02-09T03:44:00+00:00","author":{"name":"トート","url":"https://chunghwa.asia/","avatar":"https://cdn.micro.blog/photos/96/https%3A%2F%2Favatars.micro.blog%2Favatars%2F2025%2F49%2F1852664.jpg","_microblog":{"username":"to_to"}},"_microblog":{"date_relative":"2024-02-09 03:44","date_timestamp":1707450240,"is_favorite":false,"is_bookmark":false,"is_deletable":false,"is_conversation":false,"is_linkpost":false,"is_mention":false,"note":"","syndication":[]}}]}